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Federal University Oye-Ekiti Institutional Repository >
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http://repository.fuoye.edu.ng/handle/123456789/1179
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| Title: | ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS |
| Authors: | ALOMI, TOLULOPE AYOBAMI
Tayo, Isijola |
| Keywords: | ROLE INTERPRETATION
Nigerian movie industry
raw talent
Nigerian movie industry |
| Issue Date: | 2015 |
| Publisher: | FEDERAL UNIVERSITY OF OYE, EKITI |
| Citation: | Adedeji, J and Ekwuazi, H. Nigeria Theatre: Dynamics of a Movement. Ibadan: Caltop Publication (Nigeria) Ltd.1998 |
| Series/Report no.: | DEPARTMENT OF THEATRE AND MEDIA ARTS;TMA/11/0093 |
| Abstract: | The problem of poor acting has bedeviled the quality of production content of the Nigerian movie industry, and too
many ambitious Nigerians jump into acting without understanding the demands. This project which focused on the
acting technique of a successful Nigerian actor is a qualitative study shall employ the interview methodology to
investigate the techniques of the actor under study. The research deduce that there is the need for all talented actors to
be exposed to trainings and capacity development programs that will refine their raw talent. Among other things the
researcher recommends that Nigerian actors should endeavor to re-event their techniques by being innovative enough
and offer fresh innovations to the acting profession |
| Description: | The issue of poor-self documentation in the sense that actors don’t document their work again. They find it
difficult to give an account of the total films they have featured in. A good actor should be able to give a
definite account of the films he/she has done. Peter Fatomilola was unable to tell the number of stage plays and
even the number of screen plays he has acted in over the years. He was just guessing and even his guess was not
certain and this gave the researcher a lot of problem because the researcher was unable to give a precise number
of films he has featured in and was unable to make a straight statement about the number of films. Peter
Fatomilola is unknowingly using Stanislavski’s system because all his acting styles and techniques are what
Stanislavski’s techniques state. Going into the world of the character and putting yourself in the world of the
character, forgetting the situation you are facing before going on set, forgetting your family and friends and
concentrating on his acting. |
| URI: | http://repository.fuoye.edu.ng/handle/123456789/1179 |
| ISSN: | TMA/11/0093 |
| Appears in Collections: | Department of Theatre Arts Thesis
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