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    <link>http://repository.fuoye.edu.ng:80/handle/123456789/1164</link>
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    <dc:date>2026-04-16T04:44:07Z</dc:date>
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  <item rdf:about="http://repository.fuoye.edu.ng:80/handle/123456789/937">
    <title>Fighting War With Words: A Lexico-Semantic Analysis of Dasylva's Songs of Odamolugbe</title>
    <link>http://repository.fuoye.edu.ng:80/handle/123456789/937</link>
    <description>Title: Fighting War With Words: A Lexico-Semantic Analysis of Dasylva's Songs of Odamolugbe
Authors: Inya, Blessing Titilayo
Abstract: In the wake of post-colonialism and the resultant neo-colonialism&#xD;
in some African countries, some wars are not fought with guns&#xD;
but words; one of these is war against corruption: corrupt leaders&#xD;
and corrupt practices. Some of these warriors are journalists,&#xD;
writers, poets, etc. one of whom is Ademola Dasylva in Songs of Odamulogbe. Songs of Odamulogbe is a collection of poems&#xD;
that is preoccupied with combating corrupt leaders and corrupt&#xD;
practices, and inciting other compatriots to arise to the challenges&#xD;
facing the poet’s country, Nigeria. There have been both literary&#xD;
and linguistic-based studies on Ademola Dasylva’s Songs of&#xD;
Odamolugbe; but worthy of note is Dasylva’s use of language,&#xD;
particularly, lexico-semantic features embedded in the text.&#xD;
However, no attention has been paid to this aspect of language&#xD;
use in the text. Therefore, drawing on the resources of Systemic&#xD;
Functional Grammar, this study attempts a lexico-semantic&#xD;
analysis of select poems in Dasylva’s Songs of Odamolugbe. The&#xD;
poems are selected based on their political themes. The lexicosemantic&#xD;
&#xD;
features are identified and discussed. The study reveals&#xD;
that language use in the text is not arbitrary; rather, it is for&#xD;
specific purposes like correcting, criticizing, inciting, eulogising&#xD;
in nostalgia a once good country etc.
Description: the chapter is a study on lexico-semantics of a Nigerian poetry.</description>
    <dc:date>2015-05-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repository.fuoye.edu.ng:80/handle/123456789/144">
    <title>Humanities — To Be or Not To Be, That Is the Question</title>
    <link>http://repository.fuoye.edu.ng:80/handle/123456789/144</link>
    <description>Title: Humanities — To Be or Not To Be, That Is the Question
Authors: Albrecht Classen
Abstract: Let us carry some proverbial owls to Athens or coals to Newcastle, that is, revisit issues that have&#xD;
been discussed and examined by so many different voices in the past and the present. However, those&#xD;
issues by themselves are so powerful and important, so urgent and difficult that we must never tire of&#xD;
examining them always anew because they pertain centrally to our own human existence and prove to&#xD;
be the defining factors for our survival as a species. Why do we need the humanities as an academic&#xD;
discipline in the university, or in our educational system at large? What role do the humanities play&#xD;
both inside and outside the academy? Most universities in this world somehow acknowledge the&#xD;
importance of languages, literatures, music, art history, philosophy, religion, and education. But when&#xD;
it comes to basic financial issues, the humanities tend to be the first victims of budget cuts, if we&#xD;
disregard specifically liberal arts colleges that focus on the humanities above all or exclusively.
Description: Let us carry some proverbial owls to Athens or coals to Newcastle, that is, revisit issues that have&#xD;
been discussed and examined by so many different voices in the past and the present. However, those&#xD;
issues by themselves are so powerful and important, so urgent and difficult that we must never tire of&#xD;
examining them always anew because they pertain centrally to our own human existence and prove to&#xD;
be the defining factors for our survival as a species. Why do we need the humanities as an academic&#xD;
discipline in the university, or in our educational system at large? What role do the humanities play&#xD;
both inside and outside the academy? Most universities in this world somehow acknowledge the&#xD;
importance of languages, literatures, music, art history, philosophy, religion, and education. But when&#xD;
it comes to basic financial issues, the humanities tend to be the first victims of budget cuts, if we&#xD;
disregard specifically liberal arts colleges that focus on the humanities above all or exclusively.</description>
    <dc:date>2011-09-16T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repository.fuoye.edu.ng:80/handle/123456789/137">
    <title>Translation as the Catalyst of Cultural Transfer</title>
    <link>http://repository.fuoye.edu.ng:80/handle/123456789/137</link>
    <description>Title: Translation as the Catalyst of Cultural Transfer
Authors: Albrecht Classen
Abstract: This essay reflects on the many different strategies involved in translation,&#xD;
which is both a linguistic and a cultural-historical strategy. Examples from the Middle&#xD;
Ages and the Modern Age are adduced to illustrate the huge impact which translations&#xD;
have had on peoples and societies throughout time
Description: This essay reflects on the many different strategies involved in translation,&#xD;
which is both a linguistic and a cultural-historical strategy. Examples from the Middle&#xD;
Ages and the Modern Age are adduced to illustrate the huge impact which translations&#xD;
have had on peoples and societies throughout time</description>
    <dc:date>2012-03-30T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repository.fuoye.edu.ng:80/handle/123456789/136">
    <title>Human Actions Illustrated in Zen’s Ox-Herding Pictures</title>
    <link>http://repository.fuoye.edu.ng:80/handle/123456789/136</link>
    <description>Title: Human Actions Illustrated in Zen’s Ox-Herding Pictures
Authors: Yong Zhi
Abstract: The enlightenment from Zen’s perspective is the experiences of action that&#xD;
reveal a horizon of new consciousness. This event of enlightenment is the process of action&#xD;
rather than the outcome of action. Therefore, actions are not just the means to&#xD;
enlightenment but the very core of it. The actions of enlightenment from Zen’s perspective&#xD;
cannot be adequately described and explained in logical terms. Unlike most other Buddhist&#xD;
schools, Zen does not engage in extensive philosophical discourses; its classical literatures&#xD;
are mostly artistic in nature, consisting of collections of koans, poetry, and paintings, etc.&#xD;
The ten ox-herding pictures of Zen Buddhism are recognized as the classical illustration of&#xD;
Zen’s spiritual journey, as it vividly depicts the practice of Zen in a poetic and&#xD;
metaphorical way. They present a visual parable of the path to enlightenment in a narrative&#xD;
sequence of a boy’s searching, seeing, wrestling, riding, and transcending of the ox.
Description: The enlightenment from Zen’s perspective is the experiences of action that&#xD;
reveal a horizon of new consciousness. This event of enlightenment is the process of action&#xD;
rather than the outcome of action. Therefore, actions are not just the means to&#xD;
enlightenment but the very core of it. The actions of enlightenment from Zen’s perspective&#xD;
cannot be adequately described and explained in logical terms. Unlike most other Buddhist&#xD;
schools, Zen does not engage in extensive philosophical discourses; its classical literatures&#xD;
are mostly artistic in nature, consisting of collections of koans, poetry, and paintings, etc.&#xD;
The ten ox-herding pictures of Zen Buddhism are recognized as the classical illustration of&#xD;
Zen’s spiritual journey, as it vividly depicts the practice of Zen in a poetic and&#xD;
metaphorical way. They present a visual parable of the path to enlightenment in a narrative&#xD;
sequence of a boy’s searching, seeing, wrestling, riding, and transcending of the ox.</description>
    <dc:date>2012-10-17T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repository.fuoye.edu.ng:80/handle/123456789/134">
    <title>Interaction between Media and Ethics</title>
    <link>http://repository.fuoye.edu.ng:80/handle/123456789/134</link>
    <description>Title: Interaction between Media and Ethics
Authors: Leila keyanpour
Abstract: Among the key issues that in recent decades the researchers have focused on is the&#xD;
relationship between ethics and media and interaction between them. Nowadays,&#xD;
interaction between these two realities, two texts, two institutions, and both cultural and&#xD;
technological elements has occupied the mind of the researchers. The confluence of these&#xD;
two different perspectives of sociology, sociology of knowledge, communication, ethics,&#xD;
and culture has been discussed and contemplated. Through the interaction of the ethics and&#xD;
media, two high frequency hybrid concept "media ethics" and "ethical media” have&#xD;
emerged. These new concepts will influence the future.
Description: Among the key issues that in recent decades the researchers have focused on is the&#xD;
relationship between ethics and media and interaction between them. Nowadays,&#xD;
interaction between these two realities, two texts, two institutions, and both cultural and&#xD;
technological elements has occupied the mind of the researchers. The confluence of these&#xD;
two different perspectives of sociology, sociology of knowledge, communication, ethics,&#xD;
and culture has been discussed and contemplated. Through the interaction of the ethics and&#xD;
media, two high frequency hybrid concept "media ethics" and "ethical media” have&#xD;
emerged. These new concepts will influence the future.</description>
    <dc:date>2012-11-04T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repository.fuoye.edu.ng:80/handle/123456789/131">
    <title>Making Nothing Happen: Yeats, Heidegger, Pessoa, and the Emergence of Post-Romanticism</title>
    <link>http://repository.fuoye.edu.ng:80/handle/123456789/131</link>
    <description>Title: Making Nothing Happen: Yeats, Heidegger, Pessoa, and the Emergence of Post-Romanticism
Authors: James Corby
Abstract: Through close readings of the work of two major poets of the twentieth&#xD;
century—W.B. Yeats and Fernando Pessoa—this paper identifies and attempts to make&#xD;
sense of an important shift in European modernism away from a broadly Romantic&#xD;
aesthetic toward what might be called “post-Romanticism.” Taking its cue from W.H.&#xD;
Auden’s “In Memory of W.B. Yeats,” where having stated that “poetry makes nothing&#xD;
happen” he asserts that it survives as “a way of happening,” and drawing on the philosophy&#xD;
of Heidegger and Jean-Luc Nancy, this paper argues that this shift from Romanticism to&#xD;
post-Romanticism hinges on a deep metaphysical reconceptualization of poetry understood&#xD;
as poiesis. In light of this reassessment of the aesthetics and philosophical affinities of&#xD;
poetic modernism, it is argued that post-Romanticism should be understood as offering a&#xD;
modest, salutary, phenomenological re-acquaintance with our involvement with the&#xD;
everyday world, in sharp contrast to the transcendental ambitions of the Romantic aesthetic&#xD;
that preceded it.</description>
    <dc:date>2012-08-19T00:00:00Z</dc:date>
  </item>
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