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  <title>DSpace Community:</title>
  <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1154" />
  <subtitle />
  <id>http://repository.fuoye.edu.ng:80/handle/123456789/1154</id>
  <updated>2026-04-16T05:33:17Z</updated>
  <dc:date>2026-04-16T05:33:17Z</dc:date>
  <entry>
    <title>THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1374" />
    <author>
      <name>OLOWOLAFE, FRANCIS ADELODUN</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1374</id>
    <updated>2016-08-02T11:49:14Z</updated>
    <published>2015-07-01T00:00:00Z</published>
    <summary type="text">Title: THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM
Authors: OLOWOLAFE, FRANCIS ADELODUN
Abstract: The essence of drama is communication and this communication must be done&#xD;
in a manner that the audience will understand because they are the one will&#xD;
communicate to through the drama that we perform. In communicating this&#xD;
message, the director must understand the nature of his audience. It is these&#xD;
understandings that will prompt him in using the best style that will enable&#xD;
them decipher the message of the performance. If otherwise, the message will be&#xD;
lost. Basics and Fragments is one of the styles that a director can use to interpret&#xD;
his message to the audience. The philosophy of Basics and Fragments is to&#xD;
detach the audience emotion from the performance they are watching so that&#xD;
they can watch critically and be able to relate what they have seen in the theatre&#xD;
to their society which is what is what Bertolt Brecht clamours for; and this is the&#xD;
reason why Berltolt Brecht's Epic Theatre is the theoretical framework of this&#xD;
work. Against this backdrop the director need to understand the level of&#xD;
exposure of his audience to the theatre so that he will know if they are familiar&#xD;
with the style he wants to use and maybe it will communicate the message to&#xD;
them well. This research work will look into the performance of Bode&#xD;
Sowande'sCircus of freedom square which adopted Basics and fragments as the&#xD;
directorial style. This work will use interview and library materials as the&#xD;
method to look into this philosophy, to know if the message was well delivered,&#xD;
and if not, what the challenges are.</summary>
    <dc:date>2015-07-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE’S DIRECTING TECHNIQUE</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1371" />
    <author>
      <name>OLUGBENGA, , COVENANT BABATUNDE</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1371</id>
    <updated>2016-08-02T10:39:14Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE’S DIRECTING TECHNIQUE
Authors: OLUGBENGA, , COVENANT BABATUNDE
Abstract: Theatre practice in Nigeria has dwindled in great degree just as the culture is fast dying, and the situation leaves many theatre practitioners in a state of joblessness and redundancy. In spite the numerous reasons are accountable for this joblessness and redundancy. However this research hinges on the need for leading directors to adopt the director-teacher approach, which engenders impartation, as a preferred technique in the interest of the survival of the theatre. Using the analytic investigation approach, this research shall examine the “directorteacher” technique with some select works of Rasaki Ojo Bakare; a seasoned Nigeria&#xD;
director. The research has it that a good teacher- director has no specific directing techniques; they apply techniques needed for each situation. A good teacher- director will&#xD;
produce more director expert than any other Director. Findings also made it know that Theatre can only come back to its state if the directors produce good plays that the people can relate with well on stage.&#xD;
Therefore, the study recommends that theatre directors should adopt the director-teacher&#xD;
technique in working with the cast and crew, so that they can replicate themselves in the&#xD;
production team, while preparing for a production. By so doing, there will be an increased manpower base upon which theatre can suitably survive and thrive.</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>META-FUNCTIONS OF GENDER STEREOTYPES IN ABIMBOLA ADUNNI ADELAKUN’S UNDER THE BROWN RUSTED ROOFS</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1368" />
    <author>
      <name>OMOREGIE, OLUWATOSIN OLUWASEUN</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1368</id>
    <updated>2016-07-08T10:56:41Z</updated>
    <published>2015-10-01T00:00:00Z</published>
    <summary type="text">Title: META-FUNCTIONS OF GENDER STEREOTYPES IN ABIMBOLA ADUNNI ADELAKUN’S UNDER THE BROWN RUSTED ROOFS
Authors: OMOREGIE, OLUWATOSIN OLUWASEUN
Abstract: Gender Stereotypes are the general overview about the roles both male and female&#xD;
play. The stereotypes do not essentially reflect reality; rather they represent&#xD;
culturally shared beliefs about what particular individuals should be like. This&#xD;
study investigates the meta-functions of gender stereotypes and the representation&#xD;
of gender roles in the text “Under The Brown Rusted Roofs” using Michael&#xD;
Halliday’s Systemic Functional Linguistic as the theory with a special focus on its&#xD;
transitivity systems: process and participants; interpersonal: mood and modality&#xD;
and textual: theme and rheme. The text is analysed through purposive sampling of&#xD;
excerpts that reflects instances of gender roles and stereotypes in the text. It was&#xD;
discovered in the text that men are seen to be active, superior, head of households,&#xD;
decision makers and also demonstrators of social power while the women are&#xD;
submissive, emotional, powerless, and occupy a subordinate position at all levels&#xD;
of social life under the control of men. Thisresearch will be of great benefit to&#xD;
linguists, individuals and general public. It will promote effective and active&#xD;
participation of both genders and their contribution to the development of the&#xD;
society.</summary>
    <dc:date>2015-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A STYLISTIC ANALYSIS OF LANGUAGE OF SATIRE IN WOLE SOYINKA’S THE TRIAL OF BROTHER JERO</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1352" />
    <author>
      <name>OKWO, CHARITY SANDRA</name>
    </author>
    <author>
      <name>Oyedokun- Alli, WasiuAdemola</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1352</id>
    <updated>2016-06-02T10:46:14Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: A STYLISTIC ANALYSIS OF LANGUAGE OF SATIRE IN WOLE SOYINKA’S THE TRIAL OF BROTHER JERO
Authors: OKWO, CHARITY SANDRA; Oyedokun- Alli, WasiuAdemola
Abstract: Literary works have symbiotic relationship with issues that gain currency in any given&#xD;
society. Wole Soyinka’s The trial of Brother Jero is a satirical play which has received&#xD;
several appreciations both linguistically and literarily. This study is a stylistic analysis of&#xD;
the language of satire. Taking cognizance of earlier works on the subject matter, this&#xD;
work is unique in its scope and depth. Unlike Jonathan Swift’s A modest Proposal and&#xD;
Chaucer’s The Canterbury tales which merely talk about the ills in the England Ireland&#xD;
respectively, and its effect on its citizens. This work describes satire not only by&#xD;
presenting the ills in the contemporary Nigerian society but it makes use of symbolic&#xD;
characters to depict different sectors and classes in the society. Also Wole Soyinka&#xD;
reveals the ills and allows the audience to pass their judgments on the declining state of&#xD;
the society. With this in mind, stylistics features such as irony, hyperbole, sarcasm,&#xD;
invective and repetition will expose the instances of satire and its interpretation. The&#xD;
study will employ the theoretical framework of speech act.
Description: The uniqueness of this study&#xD;
is that its analysis will not entirely be linguistic or literary in nature but it will present the&#xD;
interface between language and literature. More so, conclusions so far from this study&#xD;
will serve as a springboard for writers and researchers.</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>CREATIVE DRAMATICS AS A TOOL FOR ENCHANCING CHILDREN’S PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1346" />
    <author>
      <name>OGUNWUYI, OMOBOLA ALICE</name>
    </author>
    <author>
      <name>IDOGHO, Agofure Joseph</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1346</id>
    <updated>2016-05-25T11:40:29Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: CREATIVE DRAMATICS AS A TOOL FOR ENCHANCING CHILDREN’S PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP
Authors: OGUNWUYI, OMOBOLA ALICE; IDOGHO, Agofure Joseph
Abstract: In spite of the introduction of the use of computers, laptop, e-learning, and availability of internet&#xD;
facilities in contemporary education, Primary school pupils specifically still find it difficult to&#xD;
assimilate what the teachers are teaching them; because the modern day teachers still continue to&#xD;
operate under the traditional method of teaching without applying any participatory method such&#xD;
as creative dramatics that involves the pupils participation in the classroom teaching and learning&#xD;
process. This traditional method of teaching does not give room for the creative development of&#xD;
the pupils instead making pupils inactive in the classroom because it discourages pupil’s&#xD;
participation and there is no room for pupil’s autonomy in the classroom. This research work&#xD;
thus surveys the instrumentality of creative dramatics as a classroom experience and as an&#xD;
effective educational tool in contemporary education. It carefully considers its meaning, scope,&#xD;
objectives as well as its effects on the children in all areas of their development. This study&#xD;
adopts qualitative research methodology in its data gathering and analysis using ethnographic&#xD;
research design; participants observation
Description: A creative dramatic workshop was carried out with the&#xD;
Primary VI pupils of Christ Apostolic Church Nursery and Primary School Oye-Ekiti, Ekiti&#xD;
State, Nigeria to ascertain the potency of creative drama activities in education. The findings&#xD;
from the workshop activities reveals that storytelling and role-play are viable tools for moral&#xD;
education if properly utilize. Accordingly, this study captured the aforementioned the creative&#xD;
dramatics workshop that was carried out with the Primary VI pupils of Christ Apostolic Church&#xD;
Nursery and Primary School Oye-Ekiti, Ekiti State, Nigeria</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA".</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1343" />
    <author>
      <name>OGUNLEYE, LUCIA TINUADE</name>
    </author>
    <author>
      <name>BAKARE, MRS LILIAN E</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1343</id>
    <updated>2016-05-25T09:36:03Z</updated>
    <published>2015-10-01T00:00:00Z</published>
    <summary type="text">Title: COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA".
Authors: OGUNLEYE, LUCIA TINUADE; BAKARE, MRS LILIAN E
Abstract: This project focuses on how costume and makeup communicates in Nigerian&#xD;
home video film using a home video titled EFUNSETAN ANIWURA directed&#xD;
by Tunde Kilani as a case study, how the director uses costume and make up&#xD;
in communicating the actors characters and the message of the film. This&#xD;
project also focuses on how costume and make up helped in enhancing visual&#xD;
aesthetics and semiotic of performance. This project also seek to call the&#xD;
attention of effectiveness and importance of costume and make up in Nigerian&#xD;
home video film, and also for directors, makeup artists, costumier should&#xD;
accord greater important to them.</summary>
    <dc:date>2015-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A SOCIOLINGUISTIC ANALYSIS OF THE STYLES OF CODE-SWITCHING/CODEMIXING AMONG IGBO STUDENTS IN FEDERAL UNIVERSITY OYE-EKITI</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1340" />
    <author>
      <name>UCHECHUKWU AUGUSTINA, NSIEGBUNAM</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1340</id>
    <updated>2016-05-23T11:37:21Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: A SOCIOLINGUISTIC ANALYSIS OF THE STYLES OF CODE-SWITCHING/CODEMIXING AMONG IGBO STUDENTS IN FEDERAL UNIVERSITY OYE-EKITI
Authors: UCHECHUKWU AUGUSTINA, NSIEGBUNAM
Abstract: Using unguarded conversation among the Igbo multilingual students, this study&#xD;
aims to examine the styles of code-switching and code-mixing among the Igbo&#xD;
multilingual students in the school. Participants included the Igbo multilingual&#xD;
students from both campuses- Ikole and Oye. The examples of code switching and&#xD;
code-mixing are analysed qualitatively as to their function within a multilingual&#xD;
discourse. By the use of questionnaire, information was elicited from the&#xD;
participants about their multilingual background and reasons for their choice of&#xD;
code for code-switching and code-mixing during conversation. The details&#xD;
afforded from these linguistic biographies are integrated into the analyses to&#xD;
determine how these can facilitate and explain the styles of the students’ code&#xD;
alternation.</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>SEMIOTICS OF SET DESIGN IN OLA ROTIMI’S “THE GODS ARE NOT TO BLAME” PRODUCTION</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1331" />
    <author>
      <name>MOJISOLA ALICE, BALOGUN</name>
    </author>
    <author>
      <name>Adeoye, Michael A.</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1331</id>
    <updated>2016-05-17T12:52:55Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: SEMIOTICS OF SET DESIGN IN OLA ROTIMI’S “THE GODS ARE NOT TO BLAME” PRODUCTION
Authors: MOJISOLA ALICE, BALOGUN; Adeoye, Michael A.
Abstract: Set design spices up theatrical performances especially as a significant requirement. The&#xD;
contribution of set design to the overall success of performances on stage is inevitable as&#xD;
demonstrated in available literature. In spite of this contribution, set design has been&#xD;
neglected by many theatre practitioners, a problem which has necessitated this study.&#xD;
Therefore, this research looks into the semiotics of set design in the theatrical production&#xD;
of Ola Rotimi’s The Gods Are Not To Blame as directed by Rasaki Ojo Bakare. It is&#xD;
basically meant to project the effect of design in theatrical production. This study uses&#xD;
Participant Observation and In-Depth Interview methods of data collection. Relevant&#xD;
literary materials will also be consulted to help elucidate the subject matter. Through&#xD;
these relevant methods, this study stresses out the relevance of set design to any theatre&#xD;
production, as it is hinged on the theory of semiotics as perceived by different scholars&#xD;
such as John Locke, Umberto Eco and Ferdinard Dessasure.&#xD;
Using qualitative method of data analysis which is applicable to the arts and humanities,&#xD;
this study concludes that, the use of set design in the theatre is inevitable in theatrical&#xD;
productions because this research has found out that set design tends to attract the&#xD;
audience more than any other aspect of a production. Set design also depicts the crust of&#xD;
the play text with the use of physical visual images in theatre as a major factor which&#xD;
influences the rate at which the audience understands.
Description: Using qualitative method of data analysis which is applicable to the arts and humanities,&#xD;
this study concludes that, the use of set design in the theatre is inevitable in theatrical&#xD;
productions because this research has found out that set design tends to attract the&#xD;
audience more than any other aspect of a production. Set design also depicts the crust of&#xD;
the play text with the use of physical visual images in theatre as a major factor which&#xD;
influences the rate at which the audience understands.</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI EKITI STATE</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1314" />
    <author>
      <name>ENIOLA KOFOWORAOLA, ARIYO</name>
    </author>
    <author>
      <name>Adeseye, Olufemi Bifatife</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1314</id>
    <updated>2016-05-10T12:28:48Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI EKITI STATE
Authors: ENIOLA KOFOWORAOLA, ARIYO; Adeseye, Olufemi Bifatife
Abstract: Television advertisement has over the years helped a great deal in the marketing of goods and&#xD;
services. This research work is an analytical study of the influence of television advertisement on&#xD;
the buying choice of ‘Always’ sanitary pad by students in Ado Ekiti,Ekiti state. It explored the&#xD;
questionnaire and interview approaches to gather relevant data. Chapter one defines the&#xD;
background and frame of reference for the project; providing the objectives, significance,&#xD;
statement of the problem and scope of the study as well as key terms that are fundamental to the&#xD;
study. In chapter two, the researcher offers an excursion into the study of television, noting its&#xD;
evolution and development in Nigeria. It also defines advertising with reference to its evolution&#xD;
and its growth in Nigeria. The study focuses on the influence of television advertisement on&#xD;
‘Always’ sanitary pad as a commodity, using the theories of media dependency and social&#xD;
responsibility. Chapter three discusses the method of data collection and study population, while&#xD;
chapter four analyzes the quantitative datausing simple percentage method and descriptive&#xD;
method for the qualitative data, further describing the ‘Always’ sanitary pad advertisement. In&#xD;
chapter five, the researcher summarized, made recommendations towards improving the quality&#xD;
of ‘Always’ sanitary pad television advertisement. The study concludes that there is need to make&#xD;
the commodity more available and affordable to the consumers.
Description: At the end of this study, the researcher found out that many students in Ado who&#xD;
use Always sanitary pad were largely influenced by the TV advertisement than any other&#xD;
factor. Also, majority of those who use the product are influence by the fact that the&#xD;
product is widely used by people. However, only a handful of respondents purchase the&#xD;
products despite the relatively high price. On the other hand, very few respondents don’t&#xD;
use the products based on reasons best known to them.</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>INVESTIGATING THE PERLOCUTIONARY THRUST OF LANGUAGE OF PROPAGANDA IN THE POLITICAL WRITINGS ON NIGERIA’S 2015 GENERAL ELECTIONS.</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1306" />
    <author>
      <name>OJO, TAIYE ADEBISI</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1306</id>
    <updated>2016-05-09T10:27:53Z</updated>
    <published>2015-10-01T00:00:00Z</published>
    <summary type="text">Title: INVESTIGATING THE PERLOCUTIONARY THRUST OF LANGUAGE OF PROPAGANDA IN THE POLITICAL WRITINGS ON NIGERIA’S 2015 GENERAL ELECTIONS.
Authors: OJO, TAIYE ADEBISI
Abstract: Words perform actions. Language and in fact words have different functions and according to the speech act theory of J.L Austin, utterances both written and spoken have a particular effect it should have on the listener. Many researchers have written on political campaign speeches and a universal trend in them - propaganda in Nigeria. The researcher feels that the related works previously done on the field of enquiry did not probe into the underlying intentions beneath the speaker’s mind neither did they succinctly address the effect the utterances make on the audience- the electorate. This makes the undertaking of this research important. The researcher also observed that the perlocutionary thrust of language use on the aspirants and the electorate with regard to campaign of calumny (propaganda) is yet to be fully studied. With this in mind, this study uses the Speech Act theory of J.L Austin to show that language has a great effect on both the voters and contestants as observed during the 2015 general election in Nigeria. This research takes into consideration most especially eight selected writings of party loyalists of the People’s Democratic Party (PDP) and All Progressive Congress (APC) during the 2015 presidential election. Data collected for this research spanned from the buildup of the campaign process in August 2014 to the eve of the elections in March 2015, feared in many quarters as the last Nigeria would ever had.</summary>
    <dc:date>2015-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTH IN FEDERAL UNIVERSITY, OYE EKITI.</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1195" />
    <author>
      <name>OBERE, VIVIAN OBIANUJUNWA</name>
    </author>
    <author>
      <name>BIFATIFE, ADESEYE</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1195</id>
    <updated>2016-05-09T12:13:26Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: AN APPRAISAL OF THE IMPACT OF SOCIAL MEDIA ON YOUTH IN FEDERAL UNIVERSITY, OYE EKITI.
Authors: OBERE, VIVIAN OBIANUJUNWA; BIFATIFE, ADESEYE
Abstract: The new media otherwise known as the social media is the focus of this study. It is an impact&#xD;
assessment research using the students of Federal University Oye-Ekiti as its study sample. The&#xD;
social media platforms included in this project includes; Facebook, Instagram, Whatsapp and&#xD;
Blogs. Youths, especially undergraduates are the target of the study. The research explores how&#xD;
much quality time youths spend on social media interactions. The method used in carrying out&#xD;
the research is the opinion poll method. It is observed that students spend most of their time&#xD;
chatting and browsing online rather than pay attention to their studies. The research submits that&#xD;
if the recommendations made receive adequate attention, youths will waste less time on&#xD;
irrelevant media platforms to the benefit of their education and future career.
Description: Summarily in this essay, the researcher has made an attempt to as objectively as&#xD;
possible examine the term “Social media". How it evolved, the meaning, types of social&#xD;
media as well as to also explain some theories and terminologies on social media.</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A COMPARATIVE STUDY OF ORAL ENGLISH PERFORMANCE OF PUBLIC AND PRIVATE SCHOOLS IN ADO- EKITI, EKITI NIGERIA</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1193" />
    <author>
      <name>FATUNBI, OLUWASEUN ESTHER</name>
    </author>
    <author>
      <name>Victoria, Ogunkunle</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1193</id>
    <updated>2016-05-09T12:09:37Z</updated>
    <published>2015-10-01T00:00:00Z</published>
    <summary type="text">Title: A COMPARATIVE STUDY OF ORAL ENGLISH PERFORMANCE OF PUBLIC AND PRIVATE SCHOOLS IN ADO- EKITI, EKITI NIGERIA
Authors: FATUNBI, OLUWASEUN ESTHER; Victoria, Ogunkunle
Abstract: Speaking is one of the language skills that enhances students’ performance in the English language. This&#xD;
is because speech is the primary manifestation of competence in language use. This study examines the&#xD;
differences and similarities in the spoken English of private and public schools in Ado Ekiti. The study&#xD;
aimed at examining the Oral performances of the students and identifying the factors affecting Oral&#xD;
English performance in schools. Error analysis is the theory used for analysis. The data were obtained&#xD;
through the use of questionnaire purposively administered to the students from selected schools. Interview&#xD;
and observation were also used. The data were analyzed by transcribing the words pronounced by the&#xD;
students. The four stages of error analysis were used to analyze the errors identified. The reports of the&#xD;
questionnaire were used to identify the similarities and differences in public and private schools. The&#xD;
findings revealed that public secondary school students in Ado-Ekiti perform better in Oral English than&#xD;
their private secondary school counterparts also in Ado-Ekiti. It is also discovered that private secondary&#xD;
schools in Ado-Ekiti have a shortage of Oral English teachers while public secondary schools have more&#xD;
proficient teachers. However, both private and public secondary schools lack teaching aids for Oral&#xD;
English.Secondary schools in Ado-Ekiti need to focus attention on Oral English teaching so as to&#xD;
improve the performances of the students in the English language. Also, private schools in AdoEkiti&#xD;
&#xD;
need to employ competent Oral English instructors to handle the teaching of Oral Eng lish.&#xD;
It is recommended that private school administrators should provide creative and dynamic Oral&#xD;
English instructors. In addition, prominence should be given to Oral English.Governments at all&#xD;
levels should provide language laboratories and materials for use in secondary schools because&#xD;
it helps to reduce Mother tongue interference in Oral communication.
Description: The comparative study of Oral English performance of private and public schools in Ado-Ekiti,&#xD;
Ekiti has been examined in the study. The onus of good performance of students in Oral English&#xD;
among private and public secondary school lies heavily on the teachers but their ability to&#xD;
properly carry out the job is being hampered by a number of fact. Also Oral English does have a&#xD;
great influence on the academic achievement of learners as well as factors related to teaching and&#xD;
learning such as methodologies of teaching and learning, student participation in class activities,&#xD;
teaching and learning materials.</summary>
    <dc:date>2015-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1179" />
    <author>
      <name>ALOMI, TOLULOPE AYOBAMI</name>
    </author>
    <author>
      <name>Tayo, Isijola</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1179</id>
    <updated>2016-02-03T10:59:42Z</updated>
    <published>2015-01-01T00:00:00Z</published>
    <summary type="text">Title: ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS
Authors: ALOMI, TOLULOPE AYOBAMI; Tayo, Isijola
Abstract: The problem of poor acting has bedeviled the quality of production content of the Nigerian movie industry, and too&#xD;
many ambitious Nigerians jump into acting without understanding the demands. This project which focused on the&#xD;
acting technique of a successful Nigerian actor is a qualitative study shall employ the interview methodology to&#xD;
investigate the techniques of the actor under study. The research deduce that there is the need for all talented actors to&#xD;
be exposed to trainings and capacity development programs that will refine their raw talent. Among other things the&#xD;
researcher recommends that Nigerian actors should endeavor to re-event their techniques by being innovative enough&#xD;
and offer fresh innovations to the acting profession
Description: The issue of poor-self documentation in the sense that actors don’t document their work again. They find it&#xD;
difficult to give an account of the total films they have featured in. A good actor should be able to give a&#xD;
definite account of the films he/she has done. Peter Fatomilola was unable to tell the number of stage plays and&#xD;
even the number of screen plays he has acted in over the years. He was just guessing and even his guess was not&#xD;
certain and this gave the researcher a lot of problem because the researcher was unable to give a precise number&#xD;
of films he has featured in and was unable to make a straight statement about the number of films. Peter&#xD;
Fatomilola is unknowingly using Stanislavski’s system because all his acting styles and techniques are what&#xD;
Stanislavski’s techniques state. Going into the world of the character and putting yourself in the world of the&#xD;
character, forgetting the situation you are facing before going on set, forgetting your family and friends and&#xD;
concentrating on his acting.</summary>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITI STATE TELEVISION (EKTV)</title>
    <link rel="alternate" href="http://repository.fuoye.edu.ng:80/handle/123456789/1175" />
    <author>
      <name>ALAWODE, STEPHEN OLUDAMOLA</name>
    </author>
    <author>
      <name>Balogun, Sola</name>
    </author>
    <id>http://repository.fuoye.edu.ng:80/handle/123456789/1175</id>
    <updated>2016-02-03T10:11:51Z</updated>
    <published>2015-09-01T00:00:00Z</published>
    <summary type="text">Title: TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITI STATE TELEVISION (EKTV)
Authors: ALAWODE, STEPHEN OLUDAMOLA; Balogun, Sola
Abstract: Television as a means of communication helps in curbing and reducing societal vices. It is also a tool for cultural transformation. The research work investigates the state of cultural decadence and erosion of indigenous culture among indigenes and residents of Ado Ekiti, using cultural norms theory and social responsibility theory. The study discovers that television serves as a tool for cultural propagation, preservation and promotion. It investigated the efficiency of Pere Ode a talk show on Ekiti State television, (EKTV) Ado Ekiti in teaching and promoting culture. It also discovered certain difficulties such as illiteracy, beliefs and gender equality facing television stations in the process of promoting culture. Data were sourced for through the administration of questionnaire, interview and use of bibliotical materials. The study concludes that television should continually create culture based programme that can help promote and preserve societal values and transform society in general
Description: The research work has addressed the state of cultural decadence and erosion of &#xD;
indigenous culture among indigenes and residents of Ado Ekiti. The study discovered that &#xD;
television serves as a tool for cultural propagation, preservation and promotion. It particularly &#xD;
discovered certain difficulties such as illiteracy, beliefs and gender equality facing television &#xD;
stations in the process of promoting culture</summary>
    <dc:date>2015-09-01T00:00:00Z</dc:date>
  </entry>
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